Posts Tagged: Theory

  • Exterior of the Westin Bonvanture Hotel in Los Angeles, discussed by Jameson as an example of postmodern architecture.

    Getting at the heart of what and why postmodernism is remains a challenge that few thinkers have been able to face with as much brilliance and perspicacity as Fredric Jameson, notably in his Postmodernism, or, the Cultural Logic of Late Capitalism (1991).

  • Pyramid of Capitalist System, 1911 cartoon.

    Max Weber famously argued for an “elective affinity” between a Calvinist work ethic and the economic requirements of industrial capitalism. In its insistence on secularized vocation and deferment of worldly pleasure, according to Weber, the Protestant work ethic gave religious sanction to certain kinds of economic activity, namely, the reinvestment of wealth as capital to build society’s productive forces.

  • Still from Koyannisqatsi—power lines in the desert.
    in Essays

    Dialectical Ecology

    Nature has a specific history. This is a history in which organic life, inclusive of humanity, acts on and changes the world, at the same time as the world acts on and changes organic life.

  • “New Planet,” symbolist painting by Konstantin Yuon (1921).

    Walter Rodney’s rejection of rigid models of historical interpretation and “necessary” trajectories of socialist development transcends Cold War limitations. Instead, his authentic use of Marxist historical materialism impels him to begin, per Lenin, with the “concrete analysis of concrete conditions.”

  • “The worship of Mammon,” painting circa 1909.
    in Essays

    Unmasking Mammon

    My review of Haymarket’s A People’s Guide to Capitalism: An Introduction to Marxist Economics, for The Bias magazine.

  • Roadside dino—cover of the 1998 mass market edition of City of Quartz.

    As a guide to understanding the cultural mythology and socio-geographical history of the singular American city that represents both “the utopia and dystopia for advanced capitalism,” there is none more incisive than Mike Davis’ City of Quartz.

  • Karl Marx & Friedrich Engels Monument Berlin 3D.
    in Notes

    The Marx Delusion

    If Marx focused so much on the material, it was because he found it integral to collective human flourishing in a sense similar to the Aristotelian eudamonia—physical, mental, and spiritual well-being achieved through practical activity.

  • Medieval illustration of men harvesting wheat with reaping-hooks.
    in Notes

    The Origin of Capitalism

    There is a story told about capitalism—mostly by its proponents: classical liberals, American conservatives, libertarians, and the like; but also sometimes inadvertently by its Marxist critics—that sees this system as synonymous with human nature in all times and all places.

  • Pieter Bruegel’s illustration of the Festival of Fools, circa 1570.

    In Rabelais and His World, the Russian critic Mikhail Bakhtin argues that Rabelais is the culminating literary expression of the carnival or grotesque idiom of folk humor, an idiom which had developed for over a thousand years (starting with the Roman Saturnalia) as an “unofficial” or subversive culture in the West, complete with its own rites, rules, and symbols.